Thoughtful Learning Blog

Insightful articles about 21st century skills, inquiry, project-based learning, media literacy, and education reform.

Unlocking Literacy Across the Curriculum

All teachers teach basic literacy: students learn any subject by reading, writing, speaking, and listening. These days, we also need to teach more advanced literacies, such as knowing how to use technology and manage information.

But how can we teach all of those literacies? Is there a simple approach that makes sense of literacy in science, history, art, literature, computers, math, drama, and media?

The Communication Situation

Yes. The communication situation is the key to unlocking any form of communication in any subject. Whenever someone uses a medium to express an idea to someone else, there is a communication situation.

Every communication situation has five components: sender, message, medium, receiver, and context.

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Teaching the Process of Learning

Teaching the Process of Learning

We can't accomplish much in a second. Blink. Breathe. Take a step forward. We can do 60 times as much in a minute, and 3,600 times as much in an hour. Our truly great accomplishments come from combining the little things we do in seconds into long, complex processes that take days or weeks or months.

Learning is one such process. None of us is born walking, but one of us became Usain Bolt. None of us is born writing, but one of us became J.K. Rowling. They learned how to do what they do through a long, involved process. Whether training for an Olympic 100m race or beginning work on a new novel, people who are doing something difficult follow a similar process called inquiry.

What are the steps in the inquiry process?

The inquiry process consists of six steps that can help any novice become an expert in any discipline.

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Developing Students' Social and Emotional Intelligence

Developing Students' Social and Emotional Intelligence

By Tom McSheehy MSW, LSW


Social and emotional intelligence allows us to negotiate our own and others’ emotions and feelings. No wonder it is vital to success in relationships, academics, jobs, sports, and other life activities. Employers, for example, have discovered that 67 percent of the skills they are looking for in new employees are directly related to social and emotional intelligence (Daniel Goleman, Working with Emotional Intelligence). Yet schools spend only 1.6 percent of the school week developing these skills in students.

Research

Research highlights the importance of teaching students social and emotional learning (SEL) skills. Here are some interesting findings:

  1. Fear and anxiety interfere with learning, while safety and security support and facilitate learning.
  2. Emotion plays a major role in every intellectual process and affects the organization of children’s brains.
  3. Children who can learn by age 10 to delay gratification, control impulses, and modulate expression become healthier, wealthier, and more responsible (Terrie Moffitt of Duke University and a team of researchers who followed a group of 1,000 children for 32 years).
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Test Your Social and Emotional Intelligence

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Social and emotional intelligence refers to your ability to understand and manage your own emotions and recognize the emotions of others. A few free, quick online quizzes can give you a beginning insight into your social and emotional intelligence. The first two quizzes listed below connect to university research projects, and both measure your ability to recognize emotions and facial expressions. The latter two quizzes measure your understanding of emotions in everyday life and in your classroom.

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Teaching Innovation and Problem Solving

Business leaders are calling for workers who can solve problems and innovate solutions, but how can educators teach such abstract skills? After all, isn't every problem unique? Doesn't every solution differ? Yes. But the fundamental tools of problems solving are common to all situations, and they can be taught. The two most important mental tools are critical thinking and creative thinking.

Critical thinking is convergent. It focuses intently on a topic, paying careful attention to logic and rules. Critical thinking breaks a subject into its parts and investigates how the parts relate to each other: categorizing, sequencing, comparing, ranking. It is in-the-box thinking.

Creative thinking is divergent. It sees a topic as a whole and imagines it as an analogy for something else: envisioning, improvising, riffing, wondering. Creative thinking reaches out to explore possibilities and defies convention and rules. It is out-of-the-box thinking.

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Critical and Creative Thinking: Lessons from Calvin and Hobbes

Calvin's twisted take on traditional snowpeople shows his creative thinking.

When I write the first draft of a novel, I'm Calvin from the classic comic series Calvin and Hobbes. Brimming with imagination and life, I don't care what may be sensible, realistic, and conventional. I'm full of passion, flying in many different directions. Sure, there'll be plenty of mistakes, but at least they'll be big.

When I revise and edit a novel, I'm Calvin's parents. I have to look dispassionately and critically at what the child mind has created. I have to analyze and evaluate. Patience, persistence, and a kind of longsuffering skepticism must prevail.

To put it another way, the parents' job is to make the child's life safe, and the child's job is to make the parents' life dangerous.

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5 Questions to Analyze Any Communication

Communication is complex. Students need to be able to write to different audiences. They need to create an appropriate voice for each topic and purpose. They need to understand how to get their point across in a larger context. All of this complexity can be bewildering. When I help students analyze communication situations, I use a simple graphic:

Communication Situation Graphic

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Deeper Thinking for the Common Core

The Common Core State Standards require students to think more deeply in all classes. But what counts for deeper thinking? Bloom’s revised taxonomy lists thinking skills in order from superficial to deep:

Bloom's Revised Taxonomy List

For many years, we’ve done well teaching and testing the top half of the taxonomy. After all, multiple-choice, true-false, and fill-in-the-blank items do an excellent job of measuring what students remember, understand, and can apply. On the other hand, they don’t easily measure what students can analyze, evaluate, or synthesize. What is tested is taught, so our inability to test these skills has meant that they were not getting taught.

However, the new assessments for the Common Core will test the full range of skills required. These tests combine new strategies, interactive environments, simulated research situations, and good-old essay responses in order to assess how well students can analyze, evaluate, and synthesize. Of course, now that these skills will be tested, they must be taught.

How can I teach analyzing and evaluating?

Start by teaching thinking strategies. One strategy that most educators already know is using graphic organizers to stimulate thinking:

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Helping Students Be Awesome

My friend Oliver Schinkten knows 150 awesome human beings. They’re students in his Communities and leadership classrooms at Oshkosh North High School, and they routinely do amazing things.

Last year, each student in Communities found and interviewed a local veteran of World War II, the Vietnam War, or the Korean War. They prepared questions, conducted and recorded hour-long interviews, edited them into stories, and created keepsake DVDs for the veterans and their families. The students then planned and ran an event celebrating the service of these people and presenting them with the DVDs. Afterward, many families contacted Oliver to tell them how moving and powerful the experience was, and how the DVD was a priceless heirloom they would pass down for generations.

Pretty awesome stuff for high schoolers.

Or how about the hydroponics lab that the students are building? It isn’t just a 48-foot long hoop house that will raise fish and fresh vegetables around the year to be used in the cafeteria and sold locally. It’s also a STEM Learning Center, creating a living lab for students from Oshkosh North and offering educational tours to school groups from around the area.

And it’s being funded, designed, built, and staffed by high school students.

People often assume that Oliver is teaching a gifted class, but he has public-school students from all different backgrounds, with a variety of historic levels of achievement. He says that the difference is authenticity. When students realize that what they are doing matters and is real, they engage, and the results speak for themselves.

During the 2012 election campaign, the Communities classroom created a non-partisan Web site that factually reported on the many issues in that divisive campaign. Read more

Shifting to the Common Core

Shifting to the Common Core

For most educators, the Common Core is a reality. The question is what to do about it. How can we shift from what we have been doing to what we are required to do?

Many groups have created lists of ways that the Common Core differs from previous sets of standards. These differences, or “shifts,” provide educators a focus as they rework and redirect their approach.

“We hear from educators across the country that understanding the Shifts makes their lives easier by clarifying the key changes required by the Standards.”

—Achieve the Core

Some groups advocate six shifts for each content area, while others present just three. Regardless of the number of shifts or the exact wording, most groups present a list like the one that follows, from AchievetheCore.org:

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100 Guiding Questions for Summer

Sun Glasses

If you teach in an inquiry- or project-based classroom, you probably use guiding questions to help your students really dig into a topic. Well, now that summer is officially upon us, it's time to consider what questions will guide your summer and help you really dig in. Here's a list of 100 guiding questions that can help you get the most out of this season. Pick a question from the list, or let the ideas here inspire you to fashion your own. Then get busy with your summer of inquiry!

  1. What self-improvement should I do this summer?
  2. What positive health habit can I adopt?
  3. What is my most negative health habit, and how can I end it?
  4. What is my biggest physical complaint, and how can I get rid of it?
  5. How can I get outside more?
  6. What activity can I do with friends?
  7. What preventive care should I do this summer?
  8. How can I improve my attitude and outlook?
  9. How can I become happier?
  10. What part of my personality would I most like to change, and how?
  11. How can I better manage stress and anxiety?
  12. What self-talk do I do, and how can I make it more positive?
  13. How can I improve my energy and strength?
  14. What new hairstyle should I try?
  15. What shift in fashion would make me feel better about myself?
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Help Students Clear the Way for Critical Thinking

In order to get students to think critically, you need to help them break through their mechanical thinking and manage their emotional thinking.

What is mechanical thinking?

When students think mechanically, their brains are just repeating looped recordings of thought without considering them. For example, students might have the mechanical thought, “I'm not good at math.” It just crops up in their brains whenever they look at a math problem. Often that little mechanical loop doesn't even relate to reality.

Why do we think mechanically?

Group Expectations

Mechanical thinking is useful for routine tasks like walking, riding a bike, keyboarding, driving, playing an instrument, and other activities that have become part of muscle memory. To learn any of these skills takes a lot of critical thinking, problem solving, and practice, but once the skill is learned, it is stored in the cerebellum at the base of the brain. Often a person can do something with great ease but can't explain how to do it to anyone else. The skill is no longer conscious. But to learn new skills, students need to think critically.

How can students break through mechanical thinking?

When students are thinking mechanically about a topic in school, they are recalling old ideas about it and are not engaging the material in a new way. Most often, mechanical thoughts manifest themselves in statements that shut down possibility. You can teach students to recognize such statements, stop them, and replace them with questions that open up possibilities:

Mechanical Thinking

(statements that stop thought)

Critical Thinking

(questions that start thought)
“I'm not good at math.” “How can I improve my math skills?”
“That's not the way Mrs. Jones taught us.” “How many ways are there to do this?”
“There was only one reason for the Civil War.” “What different factors led to the Civil War?”
“Current Events is boring.” “How do events right now shape my future?”
“Our group never accomplishes anything.” “Why is our group getting hung up?”
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Networking Your Students' Neurons

The Internet began as a U.S. military computer network meant to survive a nuclear attack. ARPANET, developed in the 1960's, stored information in a broad network of computers linked by distributed hubs so that an attack against one or more hubs could not bring down the entire thing.

Decentralized. Interconnected. Robust. Nuke-Proof.

Wouldn't it be great if you could get your students to build the same kind of neural networks around the subjects you teach? How can you move beyond superficial, short-term learning to create learning that sticks? Modern brain science suggests one answer that you can apply in your classroom today.

Providing a Sensory Banquet

The key to creating robust neural networks in students' brains is to give them a rich sensory diet as they engage with material. Here's what Ronald Kotulak says in Inside the Brain:

The brain gobbles up its external environment in bites and chunks through its sensory system: vision, hearing, smell, touch, and taste. Then the digested world is reassembled in the form of trillions of connections between brain cells that are constantly growing or dying, or becoming stronger or weaker, depending upon the richness of the banquet.

By engaging many different senses, you lay the information down through multiple interconnected neural pathways, placing it in long-term memory and making it robust and "nuke-proof."

Map of the Reading Brain

Map of the Reading Brain: Imagine that you ask your students to read a paragraph about the Treaty of Versailles. The information comes in through the eyes, imprints upon the retinas, and then travels through the optic nerves to the occipital lobe at the back of the brain. The information there is decoded into words, and impulses travel to the temporal lobes, where language processing occurs. The impulses then arc up to the frontal lobe meaning of the words is evaluated.

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Your Class Calendar as a Meeting Place: Lessons from Stonehenge

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People say that Stonehenge was built to be a giant calendar that marks the winter and summer solstices. To me, that claim has always seemed a little odd. Who would spend 1,500 years building a calendar out of stone? Invent paper, people.

But let’s think of a calendar in deeper terms. A calendar doesn’t just track the days of a year. It tells which days are significant and why: Mardi Gras, Passover, Tax Day, Bastille Day, Election Day, New Years. . . . More than that—a calendar tells us what we ought to be doing on these special days. It is a meeting place where we can plan our future. In that sense, Stonehenge is very much a calendar. It wasn’t meant just to track time, but to provide a space for people to come together for meaningful activity.

Your Class Calendar as a Meeting Place

If you’re like most teachers, you’re used to thinking of your class calendar as an organizational tool that you create to guide you through presentation of the material. It’s your plan. But what if your calendar could be a meeting place? What if you invited students into the process of building the calendar—or at least part of it?

Understand that the students wouldn’t be building the class calendar on their own. They would be participating with you in building it. Here’s an example of how you could build a calendar together:

  1. Display a calendar of the coming weeks. (Consider using a collaborative online program like Google Calendar.) Define the empty space that you and the students have to work in. “Over the next three weeks, we will be studying different biomes—or living environments for plants and animals.” Give your student an introduction to the topic—the more imersive and interactive the better.
  2. Ask students what they want to know about the topic. Get them to activate their prior knowledge and to come up with interesting driving questions. “I want everyone to take the next five minutes to write at least five interesting questions you want to answer about biomes. Then your table groups will meet for five minutes and discuss your questions. Each table group will present the three questions that are most interesting and that give you the most room to explore the topic.” Write down the top three suggestions from each table group.
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5 Keys to Successful Student Collaborations

As you know, group work can give teachers headaches and students nightmares. If set up poorly, collaborative projects often result in one person doing all of the work, while others contribute minimally or actually disrupt. Arguments, inefficiency, mess, and chaos follow closely.

When set up well, though, group work taps into the power of collaboration. Here are 5 keys to setting up successful student collaborations.

  1. Define group success. The first key to successful student collaboration is to make sure the group members have a common goal. They need to work together to accomplish a specific task. They will either succeed together or fail together. For everyday collaborations, make your expectations clear verbally: "Turn to your partner, discuss page 63, and answer the questions together." For large-scale group assignments, write out what success will look like for each group:
  2. Group Expectations

    Download a free Word template.

  3. Define individual success. The whole group succeeds or fails together, yes, but you should also establish expectations for individual contributions. For quick collaborations, specify what individual success is: "Each person needs to contribute one answer, and each person will report a different person's answer to the whole class." For larger-scale collaborations, write out what you expect of each group member:
  4. Individual Expectations

    Download a free Word template.

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Bring Out the Teacher in Your Students

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“Look, Mom! See the turtle! He is scaly!”

Spend a day with a small child, and you will hear many such observations. That’s because all of us have an innate human desire to teach. Somehow what we learn isn’t real until we share it with someone else.

“Watch what I can do! Let me show you how!”

The exclamation points are almost mandatory, because we want to teach. “Show and tell” is one of the most popular times in elementary school—the chance for students to become teachers. And much of the appeal of social media is allowing middle and high school students to share what they have discovered.

“I want to show you something. You’ll never believe this—it’s so COOL!”

Teaching—Unique to Our Species

You’ve heard the expression, “Monkey see; monkey do.” It’s quite literally true. Great apes learn by mimicking what they see, but they don’t actively teach. Why not?

Teaching as Triadic Attention

The act of teaching requires “triadic attention.” When you teach, you have to pay attention to three things—yourself, the other person, and the topic you are teaching. If you lose track of any of the three parts, the teaching moment is lost. Triadic attention is a hat trick that other species can’t maintain for long. Human beings, however, are capable of this feat even before they can speak. That’s why toddlers do so much pointing—to teach you about what they are seeing. Teaching is so central to who we are that perhaps our species should be renamed Homo pedagogues.

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Creating a Growth Mindset in Your Students

Belief that you can become smarter and more talented opens the doorways to success. That’s what twenty years of research has shown Carol Dweck of Stanford University. She has identified two opposing beliefs about intelligence and talent, beliefs that strongly impact our ability to learn.

Mindset Chart

Though the fixed mindset has traditionally held sway, many recent studies show that the growth mindset better represents our abilities. Our brains are much more elastic than previously thought, constantly growing new connections. IQ and talent are not fixed, but are mutable based on experience and attitude.

In her book Mindset, Dweck outlines the dramatic effect that these opposing beliefs have on learners:

Fixed Mindset Growth Mindset
Wants to prove intelligence or talent. Wants to improve intelligence or talent.
Avoids challenges for fear of failure. Engages challenges to improve.
Gives up in the face of tough obstacles. Persists in overcoming obstacles.
Avoids hard labor. Sees labor as the path to success.
Treats criticism as an attack. Treats criticism as an opportunity.
Feels threatened by others’ success. Feels inspired by others’ success.
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Crowdsourcing in Your Classroom

How can you shift your classroom away from lecture and toward inquiry? You can get help from the modern phenomenon known as crowdsourcing—the practice of putting many minds to work on a single problem. Inquiry is, in effect, crowdsourcing in your classroom.

What Crowdsourcing Concepts Can Help Me?

The following four concepts from crowdsourcing can help you use more inquiry in your classroom.

Brain Network
  1. Distributed Computing. While the term crowdsourcing is relatively new, the idea has been around for a while. One early example is the University of Berkley’s SETI project (Search for Extra-Terrestrial Intelligence), started in 1999, with over three million people devoting time on their personal computers to process radio signals. Other projects put crowds of human brains to work on even thornier problems. Just last September, over the course of three weeks, Fold.It gamers decoded an AIDS protein that scientists had been struggling with for 15 years. And inspired by the success of Fold.It, EyeWire.org recently launched a project asking people to help color-code neurons in the human retina.

    Classroom Application

    • A starting point for distributed computing in your classroom is to have students create their own unit overviews. Here’s how. Instead of lecturing to introduce a new unit, assign partners or groups to find out about specific topics in the unit. For example, to introduce a unit on the Civil War, you could list topics such as battles, generals, causes, public opinion, economics, technology, media, casualties, and so on. Then ask partners or groups to select a topic to investigate. Take the class to the library or media center for a half-hour inquiry into their topics. Afterward, have each group report briefly on what they discovered. This distributed-computing approach engages students and fosters research, collaboration, and presentation skills. It also covers the high points of the topic through crowdsourcing instead of lecture.
    • A next step is to have students help develop the tools for assessing their work. Ask students what they want to accomplish—what excellent work would look like. Involve them in creating a rubric. This brainstorming process works even for young students, as is shown in this video about a bridge-building class. By involving students in creating the tools for their assessment, you get buy-in from them and often end up with a more rigorous assessment tool than you would otherwise have.
    • When you and your students gain real comfort with distributed computing, you might have them participate in planning the semester’s syllabus. Have them brainstorm what makes a successful learning experience. Present the core standards on which they’ll be tested, and ask for project ideas to reach those goals. Gather student suggestions on the board and then guide a discussion analyzing how to implement them. By enlisting students in this part of their education, you show that they are responsible for their own learning. You also teach them the metacognitive skills they need to be lifelong learners.
  2. Read more

Vocabulary for Critical Thinking

Mouse Potato

Do you know what a mouse potato is? It’s a person who spends too much time staring at a computer screen. Mouse potatoes are the couch potatoes of the 21st century. In fact, Merriam Webster just added the term mouse potato to its august dictionary.

Perhaps you know a few mouse potatoes. Perhaps you are one. But just learning the term mouse potato suddenly makes you think about how much time you spend in front of the computer. That’s the power of vocabulary. It enables thinking. The size of your vocabulary impacts the size of your mental world.

Vocabulary as Inquiry

All right, so you’re saying, “Here we go—vocabulary. It’s so elementary.” Yes, it is—as in the word element: the building blocks of everything. In fact, the origin of the word elementum is the first three letters of the Canaanite alphabet. When we talk about elements, we are reciting our Canaanite ABCs.

Do you see how one word—elementary—has taken us from language arts to science to social studies? Do you see how knowing that elementum is the same as ABCs influences how we think about the Periodic Table of the Elements, about elementary school, about Holmes’s constant insistence that it is “elementary, my dear Watson”?

A word doesn’t have just one meaning. It is freighted with meaning. In its prefixes, roots, and suffixes, each word stores the DNA of human experience.

Vocabulary therefore shouldn’t be rote memorization. It should be inquiry.

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10 Reasons to Try Project-Based Learning

10 Reasons to Try Project Based Learning

You may have never tried project-based learning, or you may teach in a purely PBL environment. Whatever your background, you’ll find that PBL can be a powerful instructional approach. Here are ten reasons why.


  1. Adult life is project based. Most tasks that adults complete are projects, from simple duties like doing laundry and baking cookies to major endeavors like finding a job or renovating a home. Adults rarely listen to lectures, take notes, and pass tests. Instead, they take on projects. Project-based learning helps students learn content while they practice the skills they need as adults. For a great explanation of this connection, watch this video from the Buck Institute for Education.
  2. Projects prepare students for future work. Any project that can be done the same way over and over with consistent results will soon be outsourced, automated, or digitized. Any project that requires nonlinear thinking, decision making, and problem solving requires a human being. It’s a job—the best kind of job for the future. Watch Thomas Friedman's remarks to the U.S. Conference of Mayors, in which he covers these points from minutes 18:00-34:10.
  3. Projects teach content and 21st century skills. The only way students can learn to collaborate is to collaborate on something. Yes, collaboration can be messy, but that’s all the more reason students need to learn to deal with the messiness. Projects require students to develop the 21st century skills that they need, such as thinking critically and creatively, communicating and collaborating, and consuming and producing information.
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What does your PLN look like?

You may have heard colleagues talk about their PLNs—their personal learning networks—or you may have one of your own. But just what is a personal learning network, and why is it so helpful for educators?

What is a PLN?

A personal learning network consists of the people, places, and things that help you learn. By definition, every lifelong learner has a PLN, whether the person realizes it or not. Also, every person who has a PLN is a lifelong learner. Let’s imagine, for example, that you are a relatively new teacher. Your PLN might look like the following:

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Serious Fun in the Classroom

Serious Fun in the Classroom

Some very clever people are using fun to solve social problems. The approach is called “Fun Theory,” and it’s tackling all kinds of social ills.

For example, Kevin Richardson suggests creating a “speeding lottery.” Cameras that catch speeders can also recognize those who obey the speed limit. Speeders pay fines into a pot, and those who obey are entered into a lottery to win the pot. Check out the speeding lottery video. Fun!

The mayor of Bogota, Columbia, has his own approach to speeding. Anatas Mockus hired over 400 mimes to stand on street corners, making fun of bad drivers. His reasoning is that it is more of a deterrent to humiliate bad drivers than to fine them. His idea has worked, dropping traffic fatalities by more than half. Fun!

And recently, two 17-year-old Canadians named Mathew Ho and Asad Muhammad used fun theory to capture international attention for their backyard experiment. They sent a helium balloon nearly into space, including a Lego astronaut, which they filmed in flight. Fun!

What can fun theory do in my classroom?

Fun theory is limited only by imagination—yours and your students’. First, use fun theory on a source of annoyance. What is your biggest pet peeve? What are you constantly reminding your students about? Here’s a beginning list:

  • Lateness for class
  • Forgotten homework
  • Sloppy mistakes
  • Chatting and texting
  • Not turning in assignments
  • Not putting names on assignments
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Conceptual Blending for Creative Thinking

Conceptual blending is a strategy that businesses use to inspire creative thinking, but it can also help your students think about and engage any topic.

What is conceptual blending?

Conceptual blending is combining two dissimilar concepts and using creative thinking to work out the dissonances. Here’s an example:

“How can we make our workplace more like a playground?”

Workplace like a playground

At first, you might ask—why would anyone want the workplace to be more like a playground? Work is work. Play is play. The two concepts don’t blend. But let’s think about what playgrounds do well:

  • bring people together
  • get them to collaborate
  • offer equipment that inspires creativity
  • encourage users to return repeatedly
  • create multisensory engagement
  • make people happy and healthy

Aren’t these desirable attributes for a workplace?

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3 Simple Steps to the 4 C’s

So you’ve heard of the 4 C’s—critical thinking, creative thinking, communicating, and collaborating—but how are you supposed to teach your own subject and the 4 C’s?

The good news is that the 4 C’s help you teach your subject. They aren’t content. They’re skills for gaining content. Here are 3 simple steps that use the 4 C’s to help students learn your subject:

Step 1: Prompt Critical and Creative Thinking

After introducing and modeling a new concept, prompt students to think critically and creatively about it. Assign a 5-minute activity that students complete individually. Here are some examples:

  • Sentence completion: Ask students to complete a sentence in as many ways as possible.
    Complete the following sentence in as many ways as you can: “The cell membrane helps the cell by . . .”
  • Definitions: Ask students to define a key term, providing its denotation, along with examples, synonyms, and antonyms.
    Define the term “executive branch,” giving examples, synonyms, and antonyms.
  • Problem solving: Ask students to list ways that a problem could be solved.
    List as many ways as you can think of that global economic inequality could be reduced.
  • Clustering: Ask students to write an important concept in the center of a piece of paper and to create as many personal connections as they can to it.
    Write “Supply and Demand” in the middle of a piece of paper and circle it. Around it, write ways supply and demand affect your life.
  • Modeling: Ask students to represent a concept visually, whether in a sketch, a diagram, a symbol, or some other form.
    Create a visual representation of entropy—a drawing, diagram, graph, or other visual.
  • Questioning: Ask students to write five questions about the current topic and to pick the most interesting one.
    Write down five questions you have about logarithms and pick the most interesting one.
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Inquiry: Groceries to Galaxies

Though you may be unfamiliar with the inquiry process, you use it every day. For example, imagine that you need to go grocery shopping:

You start with questions: “What do we need? What do we want for dinner this week? What could I fix quickly when I get back?”

You open cabinets, check pantries, grill family members. You make a list, clip coupons, consider specials, decide how much money you can spend.
You go to the grocery store and cruise aisle to aisle. You consider prices, ounces, brand names, varieties. Items get scratched off the list.
It’s time to buy the stuff. You provide coupons, pay your money, lug the stuff home, and put it away.
That’s when you realize that you got fat-free butter (fat free butter?!) and your kids tell you they don’t like diet root beer.
You tell them that they can do the grocery shopping next time. Then you start to make dinner—and launch into the inquiry process once again.

The inquiry process should be familiar because it’s the way we move from where we are to where we want to be.

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Keep Your Lizard, Mouse, and Monkey in Mind

I just read three brilliant blog posts by neuropsychologist Rick Hanson, in which he identifies three parts of our human brains:

An image of the brain.

Though we like to think of the primate brain as the foremost part (after all, primate means “first”), many believe it was the last part of the brain to develop. It is also the last part to receive signals from the spinal cord. So Dr. Hanson deals with the most ancient part, the brain stem, first. Read more

Getting the Sense of Sensory Details

As a novelist, I love sensory details: the red scarf, the crumbling cookie, the scent of coming rain. They’re just words, but they can take us away to other places. The right sensory details allow readers to encounter the writer’s experience as if it were their own.

Using the Five Senses

The different senses are weighted individually, bearing unique effects. Understanding how a particular sense impacts the reader can help the writer create specific effects:

  • Seeing is believing: People trust what they see. That’s why eyewitnesses say, “I saw it with my own eyes!” If you want readers to believe something, show them.

    Jackson marched up the street toward Tawni’s house, the present box clutched in his fingers. Up ahead, her front porch light beamed yellow. He slowed on the sidewalk. He’d have to stand on that porch for the whole block to see, ring the bell, wait, and hope.

    A car cruised slowly past, the driver rubbernecking.

    Jackson turned away and peered at the card on top of the present. It was bent. His thumb had pressed a small crater into the drawing of mistletoe.

    He glanced one last time at the glowing porch, then turned toward the street and crossed it, jamming the card into a garbage can waiting in the gutter.

  • Did you hear that? Hearing is about understanding how a person feels or thinks. To reveal characters, have them speak. Hearing is also about speculation. You hear a footstep. You hear running water. Use sounds to create speculation about what is happening.

    Outside Tawni’s window, a garbage can rattled loudly in the street. An old man shouted a threat, and a young man echoed it. Tawni plucked out her earbuds and tiptoed to the window to peek out.

    No one was there. Rain began to patter in the lengthening shadows.

    Shivering, Tawni drew the sash closed, clicked the lock, and dragged down the fluttering shade.

    “Tawni,” came a muffled voice outside her window, “I’m getting soaked.”

    Her breath caught. “Who’s there?”

    “Jackson.”

    Another voice—Daddy yelling from the basement: “Who you talking to, Tawni-Girl?”

    “Nobody, Daddy. It’s just me—singing to my MP3!”

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Knowing the Lake: Serving as Lead Learner

Let’s say four friends decide to do some fall fishing. All four have varying degrees of experience and success with fishing. For this particular outing, however, one individual, Aaron, is better prepared than the others. His grandfather owns a cottage on the lake, and he has fished here far more often than his friends have. So when they get out on the water, the others will naturally ask Aaron when they have questions about depths, structures, and baits. But they will also share their own ideas about fishing in these conditions. In a setting like this, friends simply work together, and, in the process, they learn new things, experience some success (in this case, catch some fish), and have a good time.

A 21st century classroom should function pretty much like the friends in the boat do—with individuals working (and learning) together to achieve a particular goal, and you, the instructor, serving as the lead learner—the person who knows the lake best. As you learn along with your students, you also provide the necessary leadership and guidance to keep the boat afloat and moving in the right direction.

10 Tips for Being a Lead Learner

  • Marvel at and show interest in all types of ideas and events—past, present, and future.
  • Promote learning through inquiry (questioning), collaboration, testing, rethinking, and so on—an authentic process that occurs in the science lab, in the workplace,
    . . . and on the lake.
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Using Inquiry Projects to Teach Language Arts

I knelt beside my sons’ toy closet, hauling out a strange menagerie of action figures. Here was a headless Tauntaun from Star Wars. There was the Smog Monster from Godzilla. How about the empty robe of a Nazgul from Lord of the Rings, or the Pokemon that kids call Gyarados but that most adults couldn’t name—let alone describe?

“What are you doing with all those old toys, Dad?” asked my youngest son.

“Teaching descriptive writing,” I replied cryptically.

Twenty-four hours later, I arrived in Chicago at the Annual Convention of the National Council of Teachers of English, towing that huge suitcase full of weird action figures. I met PBL teacher Cindy Smith there, and the two of us presented “Using Inquiry Projects to Teach Language Arts.”

Cindy and I have collaborated over three years in her project-based-learning classroom, and we’d come to the NCTE convention to share eight of our projects and inquiry experiences.

Despite the lateness of the hour (last session on Saturday) and the location (it was on a half floor that most of the elevators didn’t stop at), we had 30 or 40 educators at the session, and we dived right in.

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Thinking Like Breathing

Which is more important for today’s students, critical thinking or creative thinking? It’s a trick question. I may as well ask which is more important, breathing out or breathing in? “Whichever one I need to do right now” is one good answer to this last question. Another is “Neither—since I need both to stay alive.” It’s the same with critical and creative thinking.

The Thought Exchange

Creative and critical thinking are two halves of a cycle: inspiration and expiration.

  • Creative thinking draws in possibilities. It is an expansive process, filling you with new ideas from the outside. Creativity reaches beyond what is known and into the unknown . . . to discover something new. Creativity is not necessarily discerning. You don’t separate the nitrogen from the oxygen in the air before you breathe it in. Your chest simply expands, and in it comes. Creative thinking can be exhilarating, flooding you with new possibilities.
  • Critical thinking, on the other hand, sorts through the possibilities to do something practical. Critical thinking analyzes, applies, and evaluates. It categorizes, compares, contrasts, and traces causes and effects. It’s like separating the oxygen out of the air you breathe in, in order to enrich your cells, or extracting the carbon dioxide from your blood, in order to exhale it. Critical thinking takes what creative thinking has amassed and sorts it, keeping the best and discarding the worst.
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Education Reform: Welcoming Strangers

Education Reform: Welcoming Strangers

These days, people talk about xenophobia—the fear of strangers. In the ancient world, though, people had xenophilia—the love of strangers. Locals were expected to welcome travelers into their homes and offer them food and entertainment. After all, strangers brought news from far-off places, gifts of precious spices, music, art, and ideas.

Five Strangers in the Classroom

As we strive to create student-centered classrooms, we need to invite certain strangers into our midst. These strangers may make us uncomfortable, may rock our routines—but they also introduce the wonders of the world. Make sure to welcome the following strangers into your class:

  • Uncertainty: In the teacher-centered model, you control everything, minimizing uncertainty. The problem is that you have to control everything, and that’s a huge burden. In the student-centered model, you and the students share the burden. That means there will be moments of uncertainty. Welcome them. Uncertainty creates space for students to step up, propose a direction, and learn leadership.
  • Shared Responsibility: Oddly enough, education reform has stripped students of responsibility for their success or failure: A bad test grade is somehow the teacher’s fault. Students used to cheat on tests, but now teachers do because they have more at stake. This has to change. Students need to actively seek their education, not passively receive it. After all, they’re the ones who will suffer the consequences of a poor education. Empower students by making them responsible for their own failures and successes.
  • Disagreements: We’ve come to believe that disagreements should be quelled, but a disagreement about ideas is a beautiful thing. If half the class thinks the Westward Expansion was a triumph and the other half thinks it was a tragedy—let them argue! Let them support their positions, use logic, answer objections, and appeal to their opponents. Arguments require engagement, critical thinking, and communication.
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5 Hit Shows Featuring Inquiry and Project-Based Learning

If you or your students are new to inquiry and project-based learning—or if you just need some popular-culture inspiration for your program—you should check out the following hit TV shows. Each one uses the inquiry process to create amazing projects:

  1. Mythbusters on the Discovery Channel is a classic show that investigates modern myths and viral videos, using science to determine whether they are confirmed, plausible, or “busted.” (Let’s face it, the more formal term—burst—doesn’t work as well as busted.) In every episode, Jamie Hyneman, Adam Savage, and their cohorts test myths using the inquiry process. Each show starts with a myth that the team wants to examine.
    • Questioning: The team asks the key questions about the myth. What are its parts? How can we test each part? What are the potential hazards of our testing? How can we use the materials that we have? How can we ensure great TV from picking apart this myth?
    • Planning: The next step often involves sketching ideas, creating scale models, rapid prototyping, and benchmarking. At this point, the team is considering how they can confirm or deny the myth.
    • Researching: When the crew needs to find out more, they search online and even travel off-line to places like NASA or bomb ranges to get the necessary information.
    • Creating: The team gathers the materials and tools they need and builds an experiment for finally testing the myth. They use all sorts of motors, computers, high-speed cameras—and not a little duct tape.
    • Improving: Rarely do things go right the first time, so the team must reevaluate what they are doing. They make adjustments, adding, removing, rearranging, and reworking parts.
    • Presenting: At long last, the team runs the final, definitive test to determine if a myth is true or not—often with surprising results. Recently, Jamie and Adam tried to make a Newton’s cradle out of wrecking balls. That’s radical science!
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10 Questions for Inquiry: The Bigger the Better!

Inquiry is based on questions, but not all questions are created equally. Big questions open up big spaces for information, while little questions open up little spaces. The size of the answer is predicted by the size of the question.

Suppose that a bug specialist (an entomologist) comes to speak in your Life Science class. After giving a presentation, the entomologist opens the floor for questions. Note what happens when students ask little questions instead of big ones.

Little Questions and Answers

Big Question and Answer

Q: What is your age?
A: I’m 45.
Q: Do you study spiders?
A: No.
Q: Are spiders insects?
A: No. Insects have six legs.
Q: Do any insects have eight legs?
A: No.

Q: How did you first become interested in studying insects?
A: Well, ever since childhood, I’ve been fascinated by the miniature world under our feet, in our back-yards, and in the air all around us. When I was just your age, I got a magnifying glass, and it was like gazing through a portal into Wonderland. . . .

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